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He concocts a lie, that he and Nick are now in a relationship, but the facade soon drops when his mother (Kathy Najimy) sets him up with a handsome local trainer (Luke Macfarlane) instead. But as the two start dating, the family becomes focused on trying to make a real relationship happen between Peter and Nick. The overwhelming conventionality of Single All the Way is kind of the point here, a comforting film-by-numbers designed to soothe rather than surprise. Michael Mayer, a Tony award-winning theatre director, has made a competent background watch that does what it needs to do without really trying to do anything else, passable on a base-level but lacking a certain spark. Perhaps a different duo might have helped in that regard because the lived-in chemistry these two need to convince us is nowhere to be found which makes the pair hard to buy as best friends and impossible to believe as a couple. Chambers is very charming, with a confidence that’s belies his inexperience, but Urie is stuck in wide-eyed sitcom mode, overemphasising every little moment and never softening into anything resembling a real person in his intimate moments with his competing love interests.
What should have been a scene-stealing turn from drunk aunt Jennifer Coolidge, fresh off receiving her finest reviews to date for The White Lotus, is also disappointingly ineffective with Chad Hodge’s script failing to give her any real zingers and so she’s stuck in lazy reheat mode, an outsized distraction more than anything. It’s pure mass market Christmas cookie cutter stuff that’s only made vaguely interesting in very short bursts because of its queerness.
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The sexuality and gender of the protagonist shifts what can often be a rather sexist festive movie trope, of the single hard-working cosmopolitan woman ultimately deciding that living in a small town baking cookies for a man is the better life, into something more progressive.