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One of them, with a red hankie tied around his bicep, is slowly slathering his hand and forearm with lube. Descending into the smoke-choked interior of a heaving leather bar, Pacino spies a group of men huddled around a sling. The film’s famous fisting sequence is about halfway through. Friedkin’s camera is unflinching as it captures the sweaty, amyl-fuelled hedonism of the 70s leather scene in all its glory. Al Pacino’s wide-eyed NYPD officer goes undercover to investigate a horrific murder, only to lose himself in the secret underbelly of the city’s nightlife. What starts as a gritty cop thriller with a gay SM twist develops into a darkly ambiguous play on shifting identity.
But with sequences shot in famous venues like The Mineshaft and featuring real punters as extras, it might now be the best surviving record of the New York leather circuit in its heyday. (Although strictly speaking it was narrowly beaten in the handballing stakes by Tinto Brass’s historical romp Caligula in 1979.)īased on a bestseller that had already caused a stir for its depiction of a seamy gay underworld, Cruising found itself in the firing line with accusations of homophobia before filming had even completed. This one deserves recognition for bringing the first realistic depiction of gay fisting to the cinema-going masses. Not actually a porno, but in some scenes William Friedkin’s trippy psycho-chiller feels as good as. Watch Born to Raise Hell at Tribal Male Cruising (1980) Think Last House on the Left with cock rings. With its grindhouse tone and its themes of rape and revenge, Earl’s landmark shocker echoes some of the decade’s most subversive horror films. At one point, Martin rams his fist into the man’s butt – with virtually no warm-up – extracting a bloodcurdling scream from his hapless victim. There they lay into him with gleeful abandon, flogging him, crucifying him and decorating his face with pegs. More controversial though is a later sequence where, after picking up an unsuspecting passer-by, our two antiheroes imprison him in Martin’s in-home dungeon.
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The film’s first chapter has them wreaking havoc in a bar, subjecting two of its occupants to a merciless SM ordeal.Įarl’s landmark shocker echoes some of the decade’s most subversive horror films.ĭahon comes close to handballing one young victim as the boy is strung up in the middle of the bar and forced to endure a series of humiliating tortures. Roger Earl’s infamous roughie follows the brutal exploits of a Stetson-sporting leather daddy (Val Martin) and his sadistic sidekick (Quave Dahon). Watch Whatever Turns Ya On at Tribal Male Born to Raise Hell (1975) And high points in fisting porn’s evolution over the years that followed include Peter De Rome’s Drive and Erotic Hands, both 1974. Another film to show fisting, released the same year, was the bisexual fetish feature Left-Handed by Jack Deveau and Jaap Penraat. Levin’s film stands as an interesting early example from right at the beginning of a period when handballing films caught on rapidly. While it’s explicit, there’s a lack of chemistry between the performers, resulting in an oddly clinical tone. The bottom spends most of the time with his face hidden under Cassidy’s butt, the closing shots revealing him to be somewhat less photogenic than his pals. It’s not the hottest fisting scene you’ll ever see, even if it’s notable for being one of the earliest.
They waste no time getting to work on the sub’s accommodating hole with a series of dildos of increasing girth, before sinking their hands deep inside.
Cassidy and partner-in-crime Laurent have Crisco, poppers and toys at the ready. The bottom, in a harness and chaps, is already on his back with his legs in air when the scene begins. The film’s nine-minute handballing sequence comes about halfway through. Bodybuilder Jim Cassidy, a popular star of the underground circuit in the 60s and 70s, is on spectacular form, at his best in a (vanilla) tussle with an unnamed blond hunk in the movie’s final scene. Whatever Turns Ya On (1972)Īlexander Levin’s fetish flick uses its loose narrative – two pornographers talk about the film they’ve just completed – to shoehorn every possible kink into its 57-minute running time. And while there are certainly fisting films among them, they’re notoriously difficult to date. Hardcore films were often silent, short subjects, distributed on 8mm and changing hands between private collectors or playing in peep shows. Before that, it was underground, clandestine and illegal. It wasn’t until the early 70s that gay porn developed into a coherent industry resembling the one we know today. Rick van Sant gets his butt stuffed in Titan’s Folsom Flesh Fisting on film